![]() There is no synth out there that compares to Jokers. ![]() This was easily one of my favorite tacks of the year. The G-Funkmaster of Dubstep turned everything purple this year. With one of the best signature synths in electronic music, Joker has been the breakout artist of 2009. Simian Mobile Disco – Cruel Intentions (Joker Remix) The exceptional quality bassline that is smooth yet edgy and hits you where your heart is. Miike Snow has been one of the best remixed band this year and Caspa’s remix of Black and Blue is one of the best re-interpretations of his music out there. Miike Snow – Black and Blue (Caspa Remix) Caspa is on this list twice, and while Rusko has been the one to garner the most attention out of the former tag team, this artist, another godfather of the genre is right behind him. One of my favorite summer jams, the haunting vocals soft, but deep bassline and signature DeadMau5 synths make for an unbelievable medley of harmony and heavy. The musical sophistication with which Skream approaches his remixing is unparalleled and this song is a prime example of that sophistication.ĭeadMau5 and Kaskade – I Remember (Caspa Remix) The haunting synths, the rumbling oscillating bassline hits your soul and the poppy vocoded vocals are unforgettable.īat For Lashes – Pearls Dream (Skream’s Pour Another Glass of Champers Remix) While I have to give the nod to to his In for The Kill remix as the top remix of the year for this genre, this remix of Chromeo’s “Night by Night” might have to take the crown as far as my own personal favorite remix of his. The opening synth is so easily recognized that though the tempo was about to slow down, everyone is ready to get blown away by the bass. ![]() If there as one song that gave Dubstep a chance to be played in any club, at any time, for any crowd, it was this remix. This list is in no particular order, other than this track being at the top. La Roux – In For The Kill (Skream’s Lets Get Ravey Mix) Regardless, one thing this list has, its bass. My personal taste is not inclusive and leans towards the tones of certain specific artists. This list is in no way conclusive, or inclusive of everything the genre has to offer. From Rusko blowing the soundsystem at The Social (turns out it was really a blown fuse), to Skream and Benga, Caspa, and Joker making the Function One soundsystem at Wrongbar rumble, the genre has come a long way this past year. As basslines became the focus, and feeling your chest rumble became an expectation, Dubstep moved out of dark cramped rooms and onto the main stages of Toronto. " You gotta wait a minute, wait a minute.(Cody Lekush, Zeds Dead and I are somewhere in front of the stage in this one)ĭubstep has had a defining impact on my year in music. Call a banger a banger, and let that banger's producer live. Shouldn't there be a rule, something like "wow, this guy rinsed that tune, no need for me to remix it?"Īnd I'm not saying this to hate on Borgore OR Luke & Skywalker. They both started perfectly in the intro, but for some reason Borgore and/or Luke & Skywalker decided to repeat one portion (one that they doctored up a bit), while Cragga let's the emotive vocals from the original float over this hypnotic bass. Postman." No, that distinction belongs to Cragga, who churned out a massive dubstep refix some three years ago. See, this isn't the best rendition of "Please Mr. You're at your desk/on the train doing the turn up dance and laughing at the old folks who rocked to this back in the 1960s. I remember a different time, though. Whoever at Motown let Borgore and Luke & Skywalker officially remix this is a great question, but I doubt you ravers and ravettes give a fuck. ![]() That shit just LOOKS weird, right? Motown Tamla's first US pop #1 hit, The Marvelettes' "Please Mr.
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